First of all, great job on these
book covers! Do you work in design professionally?
Somewhat, I am currently a television news video editor for
the Fox News Channel in Washington, DC. I also make the graphics for the
evening news package that I am assigned to which involves Adobe Photoshop and
After Effects. As for graphics training I am self-taught with some online
tutorials that can be found on YouTube. Before Fox News I was an editor at
post-production houses around town doing anything from local commercials,
corporate videos and documentaries.
How did you get into
this kind of process?
I use to run my own James Bond website called Dr.
Shatterhand’s Botanical Garden, which has since evolved into a Facebook group.
I tried to visually make my website attractive by incorporating poster art and
photos into articles and interviews. Back in the late 1990s and the early
2000s, I was using a inexpensive graphics program called Ulead’s Photo Impact.
It was a great little program that really helped make some fantastic graphics.
Now that I have Photoshop, the tools are easier and more precise. You can make
a professional looking artwork in a relatively short time. I’m starting to
sound like a commercial.
Tell me about your
first James Bond experience. When did you become a fan?
I was a fan of Bond and the 60s spy craze from the moment I
was able to walk over and change the channel on the black and white TV knob (we
did not have remotes back then). As for my first experience I would have to say
I was exposed to the world of OO7 at the age of 3 in 1963. I vaguely remember
my parents taking my brothers and me to the theater to see Dr. No and another
movie. I slept through most of it, but the iconic music stayed with me forever.
I do remember seeing Bond fight Dr. No on the atomic reactor and the part
where he sinks below the boiling water. The next three movies were also a blur
due to my age but by the age of 7 in 1967, You Only Live Twice came to the
local theater. It was the summer movie event that has been etched in my memory.
I even wrote an article about that experience for my website.
Did you collect the
Fleming novels growing up?
My father had a paperback copy of Signet’s Doctor No, but it
got tossed out before I was old enough to read it. My late grandfather had a
copy of Signet’s For Your Eyes Only paperback, which I inherited in 1973. I must
have read it to pieces because it fell apart and I ended up getting a
replacement from a used bookstore or somewhere. Anyhow, I was in 7th grade when
a close friend was reading the Bantam copy of Doctor No. Of course we both
shared a love for spy thrillers and I wanted to know how good the book was, so
we had day-to-day discussions about Ian Fleming and other authors such as Alistair
MacLean and Donald Hamilton.
Cool! For Your Eyes Only remains one of my favorite 007 reads! What came next?
Live and Let Die was soon to be released at the theater and
I was hoping to find a copy of the book to read before it came out. My friend invited
me over to his house so I could borrow the book. When I got there he had all of Fleming's books except for The Spy Who Loved Me. The majority was Signet books
and the others were Bantam such as Diamonds Are Forever (the movie poster
version), Moonraker, Goldfinger, Casino Royale, and From Russia with Love. The
artwork was so cool to look at because of the little movie posters showing various
scenes from the novel. I was hooked, and excited to see on the back of the book
was a list of the other Fleming novels and that The Man with the Golden Gun,
The Spy Who Loved Me, Moonraker, and For Your Eyes Only had yet to be made into
films (Octopussy was not listed). But the artwork! Those little horizontal
montages of color painted by the late Barye Phillips were proverbial keyholes
into the world of James Bond.
When Live and Let Die opened, Bantam books released their
version of Fleming’s novel with the movie poster as the cover. A few weeks
later my father bought me the Signet version of Moonraker and then in late
1973, after an impressive report card, he bought me The Man with the Golden
Gun. By Christmas I received Casino Royale, Diamonds Are Forever, Doctor No,
From Russia with Love, On Her Majesty’s Secret Service, and Thunderball. Both
Thunderball and Casino Royale had their movie poster versions on the front
cover, but the others were Barye’s artwork, which just mesmerized me for weeks.
As I grew up a teenager in the 1970s, the local used
bookstores near my house would be the place I would find other books such as
The Spy Who Loved Me and You Only Live Twice. Also, I was amazed that Signet
and Bantam were not the only publishing companies that had OO7 in paperback.
Jove books did a short series culminating around the film For Your Eyes Only.
The front covers looked Americanized but still attractive. In the mid-1980s
Grove Press reissued James Bond: The Authorized Biography of OO7 by John
Pearson. I had read the hardback when I found it at my local library, but I was
not ready for the very cool and sexy artwork by Linda Kosarin. She had captured
the misogynistic world of Bond with two beautiful women and OO7 sitting in a
Hospitality Rattan Peacock wicker chair. By the 1990s I was on the lookout for
the rarer Bond paperbacks such as the earlier Signet books with full artwork, the Great Pan versions from the UK, the Perma Books series with a strangled
Gala Brand in Too Hot To Handle (AKA Moonraker) and Popular Library’s retitled
Casino Royale – You Asked For It with a snarky Jimmy Bond and an oversexed
Vesper. Both took a while to get since they tend to be pricey. Perma
Books also did Diamonds Are Forever with a woman (Tiffany Case) being strangled
with her necklace, and Live and Let Die with a captured Bond in the underwater
cove, a tied up Solitaire, and Mr. Big counting his gold coins on a
nearby table. These books and their artwork obviously were a thing of the past
since nowadays you would not see this kind of artwork that depicts violence
against women. The recent Penguin Books with artwork by Richie Fahey is very
retro but let’s face it, most people are afraid to be reading those books in
public because of the racy artwork. Unfortunately, that is one of the main
factors the earlier Bond books did so well was the alluring artwork that is
sorely missing today.
What are some of your
favorite cover designs and why?
My all-time Signet favorite is Live and Let Die with a pale
Mr. Big standing in front of an island in the Caribbean. Since he is considered
a zombie in the book, Barye made him pale as a dead man. Second runner-up goes
to Moonraker. Bantam’s series from 1969 which started with Colonel Sun was done
by Frank McCarthy. The artwork is superb and daring since nudity is prominent
on such covers like Goldfinger and the painted girl. Colonel Sun is a movie
poster that never saw the inside of a theater. It is beautiful and it has a
Sean Connery Bond on the cover, too. Interesting side note: that same artwork
would be partially used for foreign posters of Never Say Never Again in
1983-84.
What sort
of elements from the Bond stories did you consider when choosing
imagery for your designs?
Well, I have recently found some old pulp novels and
magazines through Google and started experimenting by lifting the artwork from
these sources and combining them with other pulp art to get a scene or montage
of scenes that would reflect the story. I borrowed from Barye Phillips, Mort
Künstler, Frank McCarthy, and Robert McGinnis. Other artist from the 50s and
60s are also included, but in some cases I have no idea who they were. The fun
really begins when you start to see how merging two or three sources of pulp
art to get a fantastic scene from Fleming or John Gardner’s novels. I hope to
do the same with Raymond Benson’s novels, I’ve already did his High Time to
Kill, but I think I might do an update on it since I found some new artwork
recently.
Are you also a fan of
60s spy series such as The Man From Uncle and The Avengers?
Of course, I was a young child of the 1960s and spy movies
and TV shows were a dime a dozen. The Man from U.N.C.L.E, I Spy, The Avengers (with
Diana Rigg), Mission: Impossible, Honey West, The Wild Wild West, and for
laughs - Get Smart. I have them all on DVD and watch them regularly.
Who were some
favorite characters in the world of 1960 spies and why?
Obviously James Bond, but I was a fan of Patrick McGoohan in
The Prisoner, too. But the real draw for the 1960s spy films are the women.
There is something that is so glamourous of the femme fatale of the 60s
compared to today. The Bond films of late have brought back that glamour
starting with Casino Royale in 2006 and more recently with Spectre, but in the
1960s you had the Matt Helm films and the Bulldog Drummond film Deadlier Than
the Male. Both had sexy Elke Sommer and she was one of dozens that were just
gorgeous. The comedy version of Casino Royale is flooded with beautiful women, and also the Derek Flint films.
Outside of Bond, I was a big fan of Derek Flint and James
West of The Wild Wild West TV series. The Avengers was the ultimate super-mod
spy series that bent the rules on almost anything, and what red-blooded young
male would not dream of having Emma Peel as their sidekick. The Man From
U.N.C.L.E. had their legion of beautiful women including Luciana Paluzzi, who
is the epitome of the 1960’s sexy enemy agent. Another spy film that is rarely
mentioned is The High Commissioner with Rod Taylor and Christopher Plummer. The
film deals with an assassination attempt by enemy spies led by Daliah Lavi, who
is another beautiful actress who ended up in numerous spy films such as The
Silencers, Casino Royale '67, and Some Girls Do.
These are but one of the major ingredients to the success of
those films and why I was inspired to make these faux Pan novel covers. I guess
the old saying is true, sex sells.
Which of the 1960s
spies (Avengers, Uncle, Bond, Prisoner, etc) had the best styles in your option
re: the look of the show, the sets, costumes?
Hands down, The Prisoner. That TV series is the best series
ever produced. It may look cheap compared to today’s productions but the series
has so many layers of morality and issues of freedom of speech, freedom from
tyranny et al. I still watch the series to this day because I get so much out
of it.
What are some of the
stand-out book and poster designs for you from the world of spy/thriller
film and television?
I love anything Robert McGinnis or Frank McCarthy has done
in the spy realm. From the Thunderball poster campaign with the Look Up, Look
Down, Look Out montage, to The Man with the Golden Gun campaign; all very
clever. Bob Peak’s stylish The Spy Who Loved Me and Dan Gouzee’s Moonraker
series, as well as his A View to a Kill posters series are brilliant. But my
all-time favorite is the Volcano poster from You Only Live Twice- with Bond
hanging upside down and the final battle happening below; a true masterpiece.
By the way, did you know that horror artist Basil Gogos
added the karate men into the style “A” poster of TMWTGG? He was asked by
United Artist to insert some more action into the black area around Roger
Moore’s jacket. Apparently McGinnis was not available so the executives came
knocking on Gogos door. It just goes to show that Hollywood doesn’t care at all
if they mess up another artist’s work.
These are the sources I used to make The Living Daylights
cover. If you noticed I took pieces from some sources like the rooftops in the
Berlin Rooftops art. Trigger was taken from a prison magazine story and the
Building had women climbing down while a Nazi soldier falls out of a window.
All sources were taken from the internet.
If you could design
your own secret lair, what would it look like? What features would you install?
Without a doubt it would be a hollowed-out volcano with
rocket launcher and control room.
Thanks for chatting with me and Spy Vibe! Love book cover designs and James Bond? Here are just a few posts on Spy Vibe to check out: Fergus Fleming Interview, Fleming's Typewriter, Rare Fleming, Fleming's Music, Ian Fleming's Japan, Ian Fleming: Wicked Grin, Ian Fleming Memorial, Thai Bond Design, Bond vs Modernism, The Goldfinger Variations, Double 007 Book Designs, Double 007 designs II, rare Ian Fleming edition, Book Design Dopplegangers, Turkish Bond design, Erno Goldfinger, Ian Fleming Catalog, Jon Gilbert interview, Double 007 Designs, Fleming's Royal gold typewriter, David Tennant Reads Chitty Chitty Bang Bang, Spy Vibe's Ian Fleming archive on Pinterest. Enjoy!
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