THE LIQUIDATOR

Spy Vibers who have Turner Classic Movies have a chance to catch an out-of-print film this Wednesday, The Liquidator (1965). Made during the spy boom by the talented Jack Cardiff (Girl On a Motorcycle), the film stars Trevor Howard, Rod Taylor, and Jill St. John. Screening on TCM is at 11:45 am (EST). Poster available from Movie Goods.

JACK CARDIFF & COLOR

An interesting discussion arose this week with Spy Vibers commenting on our Batman Anniversary post. Batman and its success pressured other TV productions to film in color. Like today's 3D boom, programs proudly boasted that new seasons were broadcast "in color." The quality of color photography has changed quite a bit throughout its history and technical developments. For some, the retro palette is one of the most endearing elements and pleasures in watching old films and programs. And it is a quality that is hard to duplicate- one reason that many modern homage pieces fail. Many of us also had the experience of watching on black and white TV sets. So, in fact, rediscovering things like the Batmobile and Gerry Anderson's futuristic vehicles in color re-releases on DVD can be a bit surprising. Black and white photography also has a patina that can date a piece to a particular period, yet it still maintains a timeless quality for me (although my young students, with their different frame of reference, may disagree). Color often dates a picture to my eyes, but it is something I relish and savor. It's part of the time machine that sends me back into a story.


In our comments discussion, I brought up the work of Jack Cardiff- probably best known among Spy Vibers for his film, Girl on a Motorcycle. His collaborations with Powell and Pressburger may be the strongest experiences I've ever had with responding to color as a key element. Of course, I love the bold pop of Batman, the stripes and umbrellas in The Prisoner, Emma Peel's costumes in The Avengers, the pallet of the sets and costumes in Casino Royale (1967), but Cardiff's work in Black Narcissus, A Matter of Life and Death, and The Red Shoes drew me in because of the more subtle poetry and expression of the images. These are gorgeous films, and I encourage Spy Vibers to check them out if they haven't been on your radar. Here is a brief celebration of Cardiff by the Academy of Motion Picture Arts and Sciences:

What are your favorite moments of Black and White or Color imagery? Fans of Fritz Lang, Hitchcock, Wong Kar Wai, and Tarantino may have something to say.

POSTER: GIRL ON A MOTORCYCLE

One of my favorite posters in my collection is this quad edition of Girl on a Motorcycle (1968). The film was directed by Jack Cardiff (The Liquidator) and starred two iconic figures who helped to define sensuality and individualism in the mid-late 1960s, Marianne Faithfull and Alain Delon. The movie was later released as Naked Under Leather with the tag line: "The title tells a lot, but there's a lot more to see." The poster below came out the same year that Diana Rigg left The Avengers. Although there is no direct connection, I can't help but to see an Emma Peel quality in the slim figure, leather jumpsuit/catsuit, over-sized Mod zipper tag, belt, and hands that express a readiness for action. To learn more about Girl on a Motorcycle, grab a copy of Cinema Retro's excellent issue #14 before they are all gone. Back issues available on their site here. Spy Vibers should also check out Jack Cardiff's historic work as cinematographer in Black Narcissus, The Red Shoes, and African Queen. Check out Spy Vibe's poster-panel question and tell us your BBC James Bond name here.