Showing posts with label superspy. Show all posts
Showing posts with label superspy. Show all posts

May 2, 2013

DAVID BOWIE SPIES BERLIN

David Bowie surprised everyone in January when he announced that he had recorded a new album in secret- his first record in ten years. Entitled The Next Day, the new collection of songs quickly went to number one in charts around the globe. With few exceptions, the vibe of the album is energetic and experimental. Bowie has mined his Berlin period with Brian Eno and Iggy Pop in the 1970s by re-exploring the theme of Berlin in some of the tunes, most notably Where Are We Now?. The cover image itself is a re-appropriated version of Heroes (see below/1977). 


Fans have enjoyed spotting various references to Bowie's past, including a connection between Five Years (Ziggy Stardust/1972) and the new track, You Feel So Lonely You Could Die. Besides its sweet echo of Presley's Heartbreak Hotel, the more interesting layer to this song is its thematic connection to tradecraft and the dirty business of espionage. Although some forum members have speculated connections to medieval brutality, one cannot miss the spy references to dead drops, secrets, betrayal, and assassination. I haven't seen an interview with Bowie about this, but I can't help but conjure up images of Deighton's Berlin tragedy, The Spy Who Came in From the Cold, and the dark sad truth of East Germany's network of informants and agents during Bowie's years in Berlin. 


Bowie starred in a video for the new track The Stars (Are Out Tonight) with the wonderful Tilda Swinton, who also made the opening speech for the David Bowie retrospective at the Victoria and Albert Museum. Swinton herself has had an artistic fascination with Berlin. She made an an experimental film study of the Berlin Wall in 1988 called Cycling the Frame. Twenty-one years later she starred in a marvelous and meditative film that re-examines the presence -even in its absence- of the Wall called The Invisible Frame (2009). The film invites the viewer to travel with Swinton by bicycle along the scars and remnants of the Wall, an experience that becomes a long portrait of the city and the perceptions of identity and territory. Video still of Bowie below from The Stars (Are Out Tonight).


I have to say that I really love this new album. There is one track that breaks the cohesive texture (for my ears) regarding song order, but I'm perfectly content, like many modern listeners, to create my own version for ipod that flows smoothly. If you have not heard Bowie in a while, I urge Spy Vibers to pick up The Next Day. I think you'll find shades of Heroes (1977), Lodger (1979), and even Scary Monsters (1980). You Feel So Lonely You Could Die is one of the few torch-songs on the new album, which is an interesting choice to contrast with the gritty theme of the lyrics (excerpt below). Read the words over as poetry and tell me don't think of The Spy Who Came in From the Cold (1965), The Lives of Others (2006), or Matt Kindt's Super Spy. Images in this post are from Spy Vibe's BOWIE ART board on Pinterest.


Feel So Lonely You Could Die
By David Bowie (2013)

No-one ever saw you
Moving through the dark
Leaving slips of paper
Somewhere in the park
Hidden from your friends
Stealing all they knew
Love is thrown in airless rooms
Then vile rewards for you

But I'm gonna tell
Yes I've gotta tell
Gotta tell the things you've said
When you're talking in the dark
And I'm gonna tell the things you've done
When you're walking through the park

Some night on a thriller’s street will come a silent gun
You've got a dangerous heart
You stole their trust, their moon, their sun
There'll come assassin’s needle on a crowded train
I bet you'll feel so lonely you could die

Buildings crammed with people
Landscapes filled with wrath
Grey concrete city
Rain has wet the street
I want to see you clearly
Before you close the door
A room of bloody history
You made sure of that

June 24, 2011

SPY REWIND: THUNDERBIRDS & SUPERSPY

Spy Rewind: Spy Vibe ends the week with our 2009 review of the Bond-inspired episode of Thunderbirds, and a flashback moment to Matt Kindt's SuperSpy. If readers have not explored this classic book from Top Shelf, order it today from Amazon. SuperSpy inspired me to begin writing Spy Vibe stories a while back, which I will send to publishers shortly. The "guest set pick" from Kindt below refers to a series of Spy Vibe posts that invited guest writers/artists to choose their favorite sets from retro spy TV and films. Spy Vibe's intro article, Set For Adventure here. In the meantime, enter agent... Bondson?

LICENSE TO KILL PUPPETS
The year was 1965 and the world had been thrown into James Bond-mania. Thunderball, the Bond adventure to save the world from two stolen nuclear bombs, was about to debut in theaters. Meanwhile, a group of technicians and plotters were working to unleash their Agent Bondson to UK audiences on the small screen. Agent Bondson?


The rugged spy Bondson, who closely resembled Sean Connery and found his name in tribute to Fleming’s character, appeared in the Thunderbirds episode, The Man From M.I.5 on January 20, 1966 (disc Vol 7 of the original A&E megaset). With a Bond-style score by Barry Gary, the episode had a wonderful tone of danger and international intrigue. Long before viewers were shocked by the likes of Mr. Bill, Team America, or Robot Chicken, Gerry Anderson’s puppets were smoking cigarettes, tying up super models, and carrying out assassinations. If you have only seen the Thunderbirds films and are looking for something with a spy edge from International Rescue, this is one to check out. *spoiler alert.


The Man From M.I.5 begins with a shocking puppet murder! A mysterious scuba diver sneaks aboard a yacht and shoots a British agent in the back- five times. He dives back into the water and blows up the boat. Agent Bondson investigates and discovers that his agent contact has been shot (“five times”) and that the stolen plans for a deadly nuclear device are missing. With world survival in the balance, Bondson calls on International Rescue to help recover the plans.



Bondson is called to a secret meeting in the woods by Thunderbirds “London Agent,” Penelope. He feels a pistol jabbing him from behind, announcing her arrival from the shadows. The dangerous tone of the story is pressed as she warns him, “Move a muscle and I’ll blow off your head.” These puppet spies are serious!


Agent Penelope goes undercover to recover the plans in a sting operation. The enemy scuba spy takes her at gunpoint to a remote boathouse. Again, the puppets are threatening; “This gun is loaded and I don’t mind using it. I said move and cut the chatter!”


Penelope manages to open her communicator compact and open a channel to Thunderbirds HQ. A series of coded hand movements and tapping passes between her and HQ, but they are interrupted when the baddie ties her to a chair. His plans? He’s planted a bomb in the room to kill two birds with one stone. “At the right moment, we detonate the bomb. The patrol boat comes in shore to investigate the explosion. You die and we will escape [the radar].” Once he leaves her to her doom, Penelope tips her chair to the floor so she can warn HQ.


The suspense is drawn out to allow the various (and cool) vehicles of International Rescue to search for Penelope and the enemy agent sub. The Thunderbirds aquanaut saves the day by shooting knockout gas into their ship. The detonator switch is not pulled, and the plans are recovered.


In a final meeting, Agent Bondson is lead again into the woods by Penelope- who speaks to him through a microphone. He finds the plans to the nuclear device hidden in a tree (a classic dead drop), and the two exchange the gratitude of their agencies. Bondson is given a final and deadly warning to never try to trace Penelope or attempt to investigate the identities of International Rescue.


LICENSE TO KILL
As someone who has focused mainly on Anderson’s espionage/sci fi shows (UFO, Captain Scarlet), it was a treat to explore this Thunderbirds “mission.” The story, dialog, score, and camera work all allowed the crew to pay homage to the spy film genre. The Bond connections are clear. Special Effects man Derek Meddings even went on to do the Bond films The Man With the Golden Gun, The Spy Who Loved Me, Moonraker, and For Your Eyes Only. As mentioned, Agent Bondson resembles Connery's alter ego in face and in name. Even the scuba action was reminiscent of Goldfinger and Thunderall (which would also include yacht locations and props).


Beyond gadgetry and FX, Gerry and Sylvia Anderson often gave their shows adult-style thrills and spills, which is a main reason they continue to endure. Their puppets killed! The Man From M.I.5 brought a fantastic sense of style and danger to Thunderbirds that Spy Vibers will enjoy.



BONUS: SET PICK


Agent MATT KINDT: OUR MAN IN ST. LOUIS
Superspy author/artist and designer Matt Kindt had one set come immediately to mind when I asked him about his favorite Spy Vibe sets from the 1960s- Thunderbirds! Here’s what Matt had to say:

“The Thunderbirds Tracy Island set would probably be my #1 if you made me choose something right now....that set was fantastic!”

If you have not read Matt’s Superspy, order a copy right away. The book does an excellent job weaving together stories about duplicity and betrayal with a LeCarre kind of edge and human quality. I have some original work of Matt’s that I will share soon.

April 6, 2009

LICENSE TO KILL- PUPPETS!

AGENT BONDSON
The year was 1965 and the world had been thrown into James Bond-mania. Thunderball, the Bond adventure to save the world from two stolen nuclear bombs, was about to debut in theaters. Meanwhile, a group of technicians and plotters were working to unleash their Agent Bondson to UK audiences on the small screen. Agent Bondson?


The rugged spy Bondson, who closely resembled Sean Connery and found his name in tribute to Fleming’s character, appeared in the Thunderbirds episode, The Man From M.I.5 on January 20, 1966 (disc Vol 7 of the original A&E megaset). With a Bond-style score by Barry Gary, the episode had a wonderful tone of danger and international intrigue. Long before viewers were shocked by the likes of Mr. Bill, Team America, or Robot Chicken, Gerry Anderson’s puppets were smoking cigarettes, tying up super models, and carrying out assassinations. If you have only seen the Thunderbirds films and are looking for something with a spy edge from International Rescue, this is one to check out. *spoiler alert.


The Man From M.I.5 begins with a shocking puppet murder! A mysterious scuba diver sneaks aboard a yacht and shoots a British agent in the back- five times. He dives back into the water and blows up the boat. Agent Bondson investigates and discovers that his agent contact has been shot (“five times”) and that the stolen plans for a deadly nuclear device are missing. With world survival in the balance, Bondson calls on International Rescue to help recover the plans.



Bondson is called to a secret meeting in the woods by Thunderbirds “London Agent,” Penelope. He feels a pistol jabbing him from behind, announcing her arrival from the shadows. The dangerous tone of the story is pressed as she warns him, “Move a muscle and I’ll blow off your head.” These puppet spies are serious!


Agent Penelope goes undercover to recover the plans in a sting operation. The enemy scuba spy takes her at gunpoint to a remote boathouse. Again, the puppets are threatening; “This gun is loaded and I don’t mind using it. I said move and cut the chatter!”


Penelope manages to open her communicator compact and open a channel to Thunderbirds HQ. A series of coded hand movements and tapping passes between her and HQ, but they are interrupted when the baddie ties her to a chair. His plans? He’s planted a bomb in the room to kill two birds with one stone. “At the right moment, we detonate the bomb. The patrol boat comes in shore to investigate the explosion. You die and we will escape [the radar].” Once he leaves her to her doom, Penelope tips her chair to the floor so she can warn HQ.


The suspense is drawn out to allow the various (and cool) vehicles of International Rescue to search for Penelope and the enemy agent sub. The Thunderbirds aquanaut saves the day by shooting knockout gas into their ship. The detonator switch is not pulled, and the plans are recovered.


In a final meeting, Agent Bondson is lead again into the woods by Penelope- who speaks to him through a microphone. He finds the plans to the nuclear device hidden in a tree (a classic dead drop), and the two exchange the gratitude of their agencies. Bondson is given a final and deadly warning to never try to trace Penelope or attempt to investigate the identities of International Rescue.


LICENSE TO KILL
As someone who has focused mainly on Anderson’s espionage/sci fi shows (UFO, Captain Scarlet), it was a treat to explore this Thunderbirds “mission.” The story, dialog, score, and camera work all allowed the crew to pay homage to the spy film genre. The Bond connections are clear. Special Effects man Derek Meddings even went on to do the Bond films The Man With the Golden Gun, The Spy Who Loved Me, Moonraker, and For Your Eyes Only. As mentioned, Agent Bondson resembles Connery's alter ego in face and in name. Even the scuba action was reminiscent of Goldfinger and Thunderall (which would also include yacht locations and props).


Beyond gadgetry and FX, Gerry and Sylvia Anderson often gave their shows adult-style thrills and spills, which is a main reason they continue to endure. Their puppets killed! The Man From M.I.5 brought a fantastic sense of style and danger to Thunderbirds that Spy Vibers will enjoy.


See SpyVibe.com for related VIDEO


BONUS: SET PICK



Agent MATT KINDT: OUR MAN IN ST. LOUIS
Superspy author/artist and designer Matt Kindt had one set come immediately to mind when I asked him about his favorite Spy Vibe sets from the 1960s- Thunderbirds! Here’s what Matt had to say:


“The Thunderbirds Tracy Island set would probably be my #1 if you made me choose something right now....that set was fantastic!”


If you have not read Matt’s Superspy, order a copy right away. The book does an excellent job weaving together stories about duplicity and betrayal with a LeCarre kind of edge and human quality. I have some original work of Matt’s that I will share soon.

GUEST SET LISTS
Spy Vibe continues its series on Spy TV/film production design and the influence of Art and design movements, Playboy, Hugh Hefner, adventure story conventions, and the Space Race.

Guest Set Lists: Lee Pfeiffer, Jeremy Duns, Armstrong Sabian, Steve Bissette, Roger Langley, Matthew Bradford, Wesley Britton, David Foster, Matt Kindt.

Spy Vibe's Set For Adventure here, Set Countdown #10, #9, #8 ,#7, #6, #5, #4, #3, #2, #1.