BOWIE DAY

Happy Birthday David Bowie! Like many teenagers in the early 1960s, David Bowie was inspired by American music. He took up the saxophone and guitar and formed a string of bands that played blues and rock covers for parties and local entertainment. As a keen student of graphic design, art, and mime (!), his Mod beginnings transformed over the years as he explored areas of musical and theatrical production that we can now recognize as era-defining (1960s Mod, poet, 1970s glam, soul, experimental, electronic, dance, 1980s pop, cyber punk, jungle, etc). If an artist is always in the state of becoming, Bowie spent a lifetime trailblazing the outer limits and sending back transmissions of things to come.

Bowie stayed in the fast lane for forty years, releasing albums and pursuing his acting career, until a heart attack on stage in 2004 made him take stock. There was a nine-year hiatus with few appearances, and it looked like the limelight had been traded for quality time as a stay-at-home dad. He surprised everyone in 2013, however, with an outstanding new album called The Next Day, which was released during a flurry of Bowie-related art shows and a massive retrospective at the Victoria & Albert Museum. The V&A exhibit celebrating his career in music, fashion, graphic arts, fine art, and set design was captured in the illustrated book David Bowie Is. Catch the exhibit tour- now in NYC, I think. Bowie surprised everyone when he announced that he had recorded the new album in secret- his first record in ten years. The Next Day, quickly went to number one in charts around the globe. With few exceptions, the vibe of the album is energetic and experimental. Bowie also seemed to mine his Berlin period with Brian Eno and Iggy Pop in the 1970s by re-exploring the theme of Berlin in some of the tunes, most notably Where Are We Now? (does the mention to Potsdamer Platz reference his own time there or perhaps Wings of Desire by Win Wenders?). The cover image itself was a re-appropriated version of Heroes. Fans enjoyed spotting various references to Bowie's past, including a connection between Five Years (Ziggy Stardust/1972) and the track, You Feel So Lonely You Could Die. Besides its sweet echo of Presley's Heartbreak Hotel, the more interesting layer to this song was its thematic connection to tradecraft and the dirty business of espionage. Although some have speculated connections to medieval brutality, one cannot miss the spy references to dead drops, secrets, betrayal, and assassination. I can't help but conjure up images of Deighton's Berlin stories, Le Carre's The Spy Who Came in From the Cold, and the dark sad truth of East Germany's network of informants and agents during Bowie's years in Berlin. Bowie starred in a video for the track The Stars (Are Out Tonight) with the wonderful Tilda Swinton, who also made the opening speech for the David Bowie retrospective at the Victoria and Albert Museum. Swinton herself had an artistic fascination with Berlin. She made an an experimental film study of the Berlin Wall in 1988 called Cycling the Frame. Twenty-one years later she starred in a marvelous and meditative film that re-examined the presence -even in its absence- of the Wall called The Invisible Frame (2009). The film invited the viewer to travel with Swinton by bicycle along the scars and remnants of the Wall, an experience that became a long portrait of the city and of the perceptions of identity and territory.

Feel So Lonely You Could Die

By David Bowie (2013)

No-one ever saw you 

Moving through the dark

Leaving slips of paper 

Somewhere in the park

Hidden from your friends

Stealing all they knew

Love is thrown in airless rooms

Then vile rewards for you

But I'm gonna tell

Yes I've gotta tell

Gotta tell the things you've said

When you're talking in the dark

And I'm gonna tell the things you've done

When you're walking through the park

Some night on a thriller’s street will come a silent gun

You've got a dangerous heart

You stole their trust, their moon, their sun

There'll come assassin’s needle on a crowded train

I bet you'll feel so lonely you could die

Buildings crammed with people

Landscapes filled with wrath

Grey concrete city

Rain has wet the street

I want to see you clearly 

Before you close the door

A room of bloody history

You made sure of that

Bowie followed with with the Backstar album, which was release on this day (his birthday) in 2016. He passed away two days later at the age of 69. The record was crafted as his sawn song, and except for a few collaborators, he had kept the seriousness of his illness (liver cancer) a secret. And mid-celebration of the new work, that skinny Mod kid  -who had dreamed as a kid of becoming Little Richard's sax player only to become the king/queen of glam, experimental oracle, actor, artist, designer, and cutting-edge pop star- was no more. No one could deny the message of his farewell video, Lazerus, in which he sang of mortality, and donning one of his old costumes, climbed into a coffin-like wardrobe and disappeared. He said goodbye to the persona of David Bowie, which he had created for his theatrical endeavors. And now David Jones was gone. I feel lucky to have seen him perform a number of times between the 1980s and the 2000s. I still can't quite understand a world without him, but I know his creative spirit lives on in his work. When Tilda spoke about him at the V&A, she talked about how he had been a kind catalyst for so many people to embrace their alternative identities and basically let their freak flags fly. I like to think his own courage and individual nature will continue to inspire young people to follow their own vision, whether it be about personal identity or about creative projects. In that spirit, maybe we really can be heroes.

For Spy Vibers who have never explored the fascinating career of David Bowie, you have a lot to look forward to! Although it is difficult to choose a short list of his work, here is my essential Bowie. If you are a fan of the more cabaret theatrics of Bowie's music, check out the remastered edition of his original Deram album from the mid-1960s and the Baal album.

Movies: The Man Who Fell to Earth (1976), The Hunger (1983), Merry Christmas Mr Lawrence (1983), Labyrinth (1986), Basquait (1996), The Hunger (tv/1999-2000).

Concerts/Videos/Docs: The Best of Bowie, Ziggy Stardust, Ricochet, Reality Tour, Storytellers, Under Review 1976-1979 The Berlin Trilogy.

Albums: Space Oddity (1969), The Man Who Sold the World (1970), Hunky Dory (1971), Ziggy Stardust (1972), Aladdin Sane (1973), Pin Ups (1973), Station to Station (1976), Low (1977), Heroes (1977), Lodger (1979), Scary Monsters (1980), Baal (1981), Outside (1995), Earthling (1997), VH1 Storytellers (2001), Heathen (2002), The Next Day (2013).

Selected Spy Vibe Posts: Batman 66 Exhibit, Prisoner Fifty Event, Ian Fleming Publications 2017-2018, Interview: Ed Hulse Pulp, Avengers Audio Drama, Interview: Callan At 50, Interview: Playboys, Spies, Private Eyes, TWA Returns, Spy Vibe Radio 8, Interview: Ryan Heshka, Mid-Century Modern Schulz, Agent Werewolf, Mata Hair Exhibit, Johnny Sokko 50th, Interview: Trina Robbins, Eddie Izzard, The Prisoner Capt Scarlet 50th, Hugh Hefner R.I.P., Jack Good R.I.P., Interview: Shaken Not Stirred, Callan 50th, Spy Vibe Radio 7, The Prisoner 50th Event, Spy-Fi Event, Kaho Aso 007, Two Million, Bo Diddley, Carnaby Pop, Le Carre Events, Billy Bragg Skiffle, Elvis 68, Jack Kirby The Prisoner, Casino Royale Concert, Review: The Prisoner Vol 2, Interview: The Prisoner Essential Guide, Maud Russell Mottisfont, Spy Vibe Radio 4, Batman Gallants, Adam West R.I.P., Village Triangle, Roger Moore R.I.P., Spy Vibe Radio 3, Sgt Pepper 50th, Satanik Kriminal OST, 60s Overdrive, Make Love in London, Spy Vibe Radio 2, Spy Vibe Radio 1, James Bond Strips, Propaganda Mabuse, Interview: Police Surgeon, XTC Avengers, 1966 Pep Spies, Batman Book Interview, Exclusive Fleming Interview, Avengers Comic Strips, Robert Vaughn RIP, UNCLE Fashions, Thunderbirds Are Pop!, Interview: Spy Film Guide, Lost Avengers Found, The Callan File, Mission Impossible 50th, Green Hornet 50th, Star Trek 50th, Portmeirion Photography 1, Filming the Prisoner, Gaiman McGinnins Project, Ian Fleming Grave, Revolver at 50, Karen Romanko Interview, Mod Tales 2, Umbrella Man: Patrick Macnee, New Beatles Film, The Curious Camera, Esterel Fashion 1966, Exclusive Ian Ogilvy Interview, 007 Tribute Covers, The Phantom Avon novels return, Ian Fleming Festival, Argoman Design, Sylvia Anderson R.I.P., Ken Adam R.I.P., George Martin R.I.P., The New Avengers Comics, The Phantom at 80, 007 Manga, Avengerworld Book, Diana Rigg Auto Show, The Prisoner Audio Drama Review.

BOWIE SPIES BERLIN

I'm still reeling from the news of David Bowie's passing. His energy and work was so intertwined with many of my relationships and personal outlook. It's hard to imagine a world without him here and his brilliant, curious mind. I'll try to write a tribute soon, but I thought it might be interesting to first revisit a post from his Next Day release, where we talked a bit about spies in Berlin. Enjoy!

David Bowie surprised everyone in January 2013 when he announced he had recorded a new album in secret- his first record in ten years. Entitled The Next Day, the new collection of songs quickly went to number one in charts around the globe. With few exceptions, the vibe of the album is energetic and experimental. Bowie has mined his Berlin period with Brian Eno and Iggy Pop in the 1970s by re-exploring the theme of Berlin in some of the tunes, most notably Where Are We Now?. The cover image itself is a re-appropriated version of Heroes (1977):

Fans have enjoyed spotting various references to Bowie's past, including a connection between Five Years (Ziggy Stardust/1972) and the new track, You Feel So Lonely You Could Die. Besides its sweet echo of Presley's Heartbreak Hotel, the more interesting layer to this song is its thematic connection to tradecraft and the dirty business of espionage. Although some forum members have speculated connections to medieval brutality, one cannot miss the spy references to dead drops, secrets, betrayal, and assassination. I haven't seen an interview with Bowie about this, but I can't help but conjure up images of Deighton's Berlin tragedy, The Spy Who Came in From the Cold, and the dark sad truth of East Germany's network of informants and agents during Bowie's years in Berlin. 

Bowie starred in a video for the new track The Stars (Are Out Tonight) with the wonderful Tilda Swinton, who also made the opening speech for the David Bowie retrospective at the Victoria and Albert Museum. Swinton herself has had an artistic fascination with Berlin. She made an an experimental film study of the Berlin Wall in 1988 called Cycling the Frame. Twenty-one years later she starred in a marvelous and meditative film that re-examines the presence -even in its absence- of the Wall called The Invisible Frame (2009). The film invites the viewer to travel with Swinton by bicycle along the scars and remnants of the Wall, an experience that becomes a long portrait of the city and the perceptions of identity and territory. Video still of Bowie above from The Stars (Are Out Tonight).

I have to say that I really love this new album. There is one track that breaks the cohesive texture (for my ears) regarding song order, but I'm perfectly content, like many modern listeners, to create my own version for ipod that flows smoothly. If you have not heard Bowie in a while, I urge Spy Vibers to pick up The Next Day. I think you'll find shades of Heroes (1977), Lodger (1979), and even Scary Monsters (1980). You Feel So Lonely You Could Die is one of the few torch-songs on the new album, which is an interesting choice to contrast with the gritty theme of the lyrics (excerpt below). Read the words over as poetry and tell me don't think of The Spy Who Came in From the Cold (1965), The Lives of Others (2006), or Matt Kindt's Super Spy. Images in this post are from Spy Vibe's BOWIE ART board on Pinterest.

Feel So Lonely You Could Die

By David Bowie (2013)

No-one ever saw you 

Moving through the dark

Leaving slips of paper 

Somewhere in the park

Hidden from your friends

Stealing all they knew

Love is thrown in airless rooms

Then vile rewards for you

But I'm gonna tell

Yes I've gotta tell

Gotta tell the things you've said

When you're talking in the dark

And I'm gonna tell the things you've done

When you're walking through the park

Some night on a thriller’s street will come a silent gun

You've got a dangerous heart

You stole their trust, their moon, their sun

There'll come assassin’s needle on a crowded train

I bet you'll feel so lonely you could die

Buildings crammed with people

Landscapes filled with wrath

Grey concrete city

Rain has wet the street

I want to see you clearly 

Before you close the door

A room of bloody history

You made sure of that

Selected Spy Vibe Posts: Who's Talking on Spy Vibe, UFO Blu-ray, Avengers Pop Art Interview, Fritz Lang Spies, Fergus Fleming Interview, Avengers: Alan Hayes Interview, Jaz Wiseman Interview, 007 SPECTRE Comics, Casino Royale Folio, New James Bond Comic, Diana Rigg BFI Interview, Casino Royale Interview: Mike Richardson, Early Saint Box Set, Lost Diana Rigg Interview, Honor Blackman at 90, UNCLE School, Ian Fleming Memorial, Radiophonic Exhibit, Portmeirion Photos, Doctor Who Exhibit, Farewell Steed, Pussy Galore Returns, Diana Rigg birthday, Sherlock at 221B, Invisible Agent, Saint Interview: Ian Dickerson, Saint Doppelgänger, Fleming's Typewriter, Rare Fleming, Fleming's Music, Ian Fleming's Japan, Jim Wilson Corgi Interview, Fantomas Design, Jeremy Duns on Bond, John Buss interview, Avengers Season 5 Titles, Saint Volvo, Mod Tales Interview, Agente Secreto Comics, Danger Man Comics 2, Danger Man Comics, John Drake Comics, Der Mann Von UNCLE, Golden Margaret Nolan, Man From UNCLE Rocksteady, Pussy Galore Calypso, Cynthia Lennon R.I.P., Edward Mann Fashion, Leonard Nimoy Tribute, Shatner at 84, Bob Morane series, Thai Bond Design, Bond vs Modernism, Art of Modesty, Tokyo Beat 1964, Feraud Mod Fashion, Green Hornet Manga, No 6 Festival, Avengers Interview: Michael Richardson, Ian Fleming: Wicked Grin, Jane Bond Hong Kong Records, Ryan Heshka Interview, Comics Week: Man From R.I.V.E.R.D.A.L.E., Comics Week: Archie, Comics Week: Robots, Comics Week: Cold War Atomic, Comics Week: SPYMAN, Comics Week: Jimmy Olsen, Shakespeare Spies: Diana Rigg, Shakespeare Spies I, Rodney Marshall Avengers Interview, Richard Sala: Super-Enigmatix, Cold War Archie, Playboy Bunny Interview, The 10th Victim Japanese and Kindle, U.N.C.L.E. Japanese Books, Trina Robbins Interview, Catsuits, Batman '66 Green Hornet Interview: Ralph Garman Ty Templeton.

DAVID BOWIE SPIES BERLIN

David Bowie surprised everyone in January when he announced that he had recorded a new album in secret- his first record in ten years. Entitled The Next Day, the new collection of songs quickly went to number one in charts around the globe. With few exceptions, the vibe of the album is energetic and experimental. Bowie has mined his Berlin period with Brian Eno and Iggy Pop in the 1970s by re-exploring the theme of Berlin in some of the tunes, most notably Where Are We Now?. The cover image itself is a re-appropriated version of Heroes (see below/1977). 

Fans have enjoyed spotting various references to Bowie's past, including a connection between Five Years (Ziggy Stardust/1972) and the new track, You Feel So Lonely You Could Die. Besides its sweet echo of Presley's Heartbreak Hotel, the more interesting layer to this song is its thematic connection to tradecraft and the dirty business of espionage. Although some forum members have speculated connections to medieval brutality, one cannot miss the spy references to dead drops, secrets, betrayal, and assassination. I haven't seen an interview with Bowie about this, but I can't help but conjure up images of Deighton's Berlin tragedy, The Spy Who Came in From the Cold, and the dark sad truth of East Germany's network of informants and agents during Bowie's years in Berlin. 

Bowie starred in a video for the new track The Stars (Are Out Tonight) with the wonderful Tilda Swinton, who also made the opening speech for the David Bowie retrospective at the Victoria and Albert Museum. Swinton herself has had an artistic fascination with Berlin. She made an an experimental film study of the Berlin Wall in 1988 called Cycling the Frame. Twenty-one years later she starred in a marvelous and meditative film that re-examines the presence -even in its absence- of the Wall called The Invisible Frame (2009). The film invites the viewer to travel with Swinton by bicycle along the scars and remnants of the Wall, an experience that becomes a long portrait of the city and the perceptions of identity and territory. Video still of Bowie below from The Stars (Are Out Tonight).

I have to say that I really love this new album. There is one track that breaks the cohesive texture (for my ears) regarding song order, but I'm perfectly content, like many modern listeners, to create my own version for ipod that flows smoothly. If you have not heard Bowie in a while, I urge Spy Vibers to pick up The Next Day. I think you'll find shades of Heroes (1977), Lodger (1979), and even Scary Monsters (1980). You Feel So Lonely You Could Die is one of the few torch-songs on the new album, which is an interesting choice to contrast with the gritty theme of the lyrics (excerpt below). Read the words over as poetry and tell me don't think of The Spy Who Came in From the Cold (1965), The Lives of Others (2006), or Matt Kindt's Super Spy. Images in this post are from Spy Vibe's BOWIE ART board on Pinterest.

Feel So Lonely You Could Die

By David Bowie (2013)

No-one ever saw you

Moving through the dark

Leaving slips of paper

Somewhere in the park

Hidden from your friends

Stealing all they knew

Love is thrown in airless rooms

Then vile rewards for you

But I'm gonna tell

Yes I've gotta tell

Gotta tell the things you've said

When you're talking in the dark

And I'm gonna tell the things you've done

When you're walking through the park

Some night on a thriller’s street will come a silent gun

You've got a dangerous heart

You stole their trust, their moon, their sun

There'll come assassin’s needle on a crowded train

I bet you'll feel so lonely you could die

Buildings crammed with people

Landscapes filled with wrath

Grey concrete city

Rain has wet the street

I want to see you clearly

Before you close the door

A room of bloody history

You made sure of that