Spy Vibe is dedicated to celebrating 1960s Style in Action and one most important elements of the decade was the focus on innovation and experimentation. During my recent journey to the Doctor Who Experience in Cardiff, I had a chance to take a closer look at one of the most creative congregations of artists from the era: The BBC Radiophonic Workshop. There was a corner display room, just on the right as you walked into the exhibit, outfitted like a mad scientist's lab with early tape machines, oscillators, instruments, and various electronic gadgets. The space was devoted to the Radiophonic Workshop, where the wizards of sound crafted eerie sonic landscapes for various dramas, including Doctor Who. The Radiophonic Workshop was founded in 1958 by Daphne Oram and Desmond Briscoe, who had been inspired to explore sound design by the electronic experiments and musique concrete coming out of France. The celebrated Delia Derbyshire first brought her unusual talent to the Workshop in the early 1960s, and is best remembered for her production and assemblage of the Doctor Who theme (composed by Ron Grainer). Beatles fans may be interested to learn that Derbyshire also co-founded an organization called Unit Delta Plus in 1966 to create and promote electronic music. The group played festivals, including The Million Volt Light and Sound Rave (1966), where Paul McCartney's unreleased Carnival of Light had its one public performance. In addition to Doctor Who, Derbyshire also contributed to The Mouse on the Moon, Dracula A.D. 1972 and John Berger's Ways of Seeing. Working with tight production schedules and staff rotation, the Workshop produced wonderful recordings, often creating much of the atmosphere needed to give Doctor Who that futuristic, mysterious vibe. Those early pieces were literally bits of taped sound woven together and layered, and the hands-on approach gave the work a deep, human quality that was difficult to emulate once synthesizers became de rigueur. For readers who grew up in the age of MP3s and CDs, these old machines (below) played sounds stored on large reels of magnetic tape, and specific sections of sound had to be meticulously cut, spliced, and layered with others to create each composition. The exhibit did a great job bringing the show's 50 years of costume design to life, and it was wonderful to see this vintage music equipment in person, where I could imagine Delia and the other wizards at work. Here are two of my photographs from the sound design exhibit at the Doctor Who Experience. Please visit my related photography series posts from the trip: Doctor Who Experience, Portmeirion, Sherlock Holmes. Learn more: history of the Radiophonic Workshop, Delia Derbyshire site, Derbyshire:Sculptress of Sound documentary on Youtube, Radiophonic Workshop records at Discogs. Enjoy!
Selected Spy Vibe posts: Portmeirion Photos, Doctor Who Exhibit, Farewell Steed, Pussy Galore Returns, Diana Rigg birthday, Sherlock at 221B, Invisible Agent, Saint Interview: Ian Dickerson, Saint Doppelgänger, Fleming's Typewriter, Rare Fleming, Fleming's Music, Ian Fleming's Japan, Jim Wilson Corgi Interview, Fantomas Design, Jeremy Duns on Bond, John Buss interview, Diana Rigg eBook, Avengers Season 5 Titles, Saint Volvo, Mod Tales Interview, Agente Secreto Comics, Danger Man Comics 2, Danger Man Comics, John Drake Comics, Der Mann Von UNCLE, Golden Margaret Nolan, Man From UNCLE Rocksteady, Pussy Galore Calypso, Cynthia Lennon R.I.P., Edward Mann Fashion, Leonard Nimoy Tribute, Shatner at 84, Bob Morane series, New Saint Publications, The Saint Complete box set, Gerry Anderson Box Sets, Music For Spies, Thai Bond Design, Bond vs Modernism, Popular Skullture, Art of Modesty, Avengers Blu-ray update, Tokyo Beat 1964, Polaroid Spy, Feraud Mod Fashion, Green Hornet Manga, No 6 Festival, Avengers Interview: Michael Richardson, Ian Fleming: Wicked Grin, Jane Bond Hong Kong Records, Ryan Heshka Interview, Comics Week: Man From R.I.V.E.R.D.A.L.E., Comics Week: Archie, Comics Week: Robots, Comics Week: Cold War Atomic, Comics Week: SPYMAN, Comics Week: Jimmy Olsen, Shakespeare Spies: Diana Rigg, Shakespeare Spies I, Rodney Marshall Avengers Interview, Richard Sala: Super-Enigmatix, Cold War Archie, Playboy Bunny Interview, The 10th Victim Japanese and Kindle, U.N.C.L.E. Japanese Books, Trina Robbins Interview, Catsuits, Batman '66 Green Hornet Interview: Ralph Garman Ty Templeton.
Showing posts with label tape loops. Show all posts
Showing posts with label tape loops. Show all posts
August 10, 2015
June 18, 2014
PAUL AT 72
Paul McCartney's friend and collaborator, Barry Miles, summed up their early years by saying, "I think of the 60s as a supermarket of ideas. We were looking for new ways to live." If Swinging London in the 1960s represented a hurricane of cultural revolution, McCartney was in the eye of the storm. On his 72nd birthday, Spy Vibe looks back at the art of Paul McCartney. Photo below in true space-age fashion by Richard Avedon.
Paul McCartney was born seventy-two years ago today. His mother Mary (as in "mother Mary comes to me, speaking words of wisdom") was a nurse. His father, James, was an amateur musician. He had his own "Jim Mac's Jazz Band" back in the hot jazz days, and he brought Paul and younger brother Mike up with an appreciation for all kinds of music. The family listened closely to old 78 records and the radio, and McCartney developed a keen ear and passion to make music of his own. After a brief interlude with a trumpet that his dad gave him, he was inspired by the skiffle craze to pick up the guitar. He swapped his horn for a Framus Zenith acoustic model. It wasn't until he saw an image of Slim Whitman that he realized he could restring the instrument backwards for easier playing as a lefty. As Lonnie Donegan belted out Rock Island Line and other skiffle hits, McCartney wrote his first tunes, including When I'm Sixty-Four. In 1956, he found his "messiah" Elvis Presley. Elvis opened the floodgates of Rock and McCartney became fascinated by Fats Domino, Little Richard, Buddy Holly, and the Everly Brothers. Photo below: playing guitar in the back yard by brother Mike McCartney (The Scaffold).


Recent Spy Vibe posts: Richard Sala: Super-Enigmatix, The Spotnicks, Gerry Anderson Models, Model Spy Gear, Model Secret Agents, Remo Williams Blu-ray, Bunny Yeager and Ursula Andress, Danger Mouse, Lost Avengers Episodes, Big Fun Toys, Danger Diabolik Soundtrack, Bruno Nicolai CD, Mother's Day (Avengers), Mod Fashion Dolls, Wild Wild West Blu-ray, Cold War Archie, New Avengers Comic, Ipcress File Blu-ray, Honor Blackman Tour, Playboy Bunny Interview, The 10th Victim Japanese and Kindle, U.N.C.L.E. Japanese Books, The 10th Victim German Edition, UNCLE Gun, The Saint books return, Spy exhibit at the Pacific Science Center, Trina Robbins Interview, Catsuits, Batman '66 Green Hornet Interview: Ralph Garman Ty Templeton.
Paul McCartney was born seventy-two years ago today. His mother Mary (as in "mother Mary comes to me, speaking words of wisdom") was a nurse. His father, James, was an amateur musician. He had his own "Jim Mac's Jazz Band" back in the hot jazz days, and he brought Paul and younger brother Mike up with an appreciation for all kinds of music. The family listened closely to old 78 records and the radio, and McCartney developed a keen ear and passion to make music of his own. After a brief interlude with a trumpet that his dad gave him, he was inspired by the skiffle craze to pick up the guitar. He swapped his horn for a Framus Zenith acoustic model. It wasn't until he saw an image of Slim Whitman that he realized he could restring the instrument backwards for easier playing as a lefty. As Lonnie Donegan belted out Rock Island Line and other skiffle hits, McCartney wrote his first tunes, including When I'm Sixty-Four. In 1956, he found his "messiah" Elvis Presley. Elvis opened the floodgates of Rock and McCartney became fascinated by Fats Domino, Little Richard, Buddy Holly, and the Everly Brothers. Photo below: playing guitar in the back yard by brother Mike McCartney (The Scaffold).
McCartney's childhood friend, Ivan Vaughan (also born on June 18th), brought him to the Woolton County Fete on July 6, 1957, where he formally met John Lennon for the first time. The two of them shared a love for Rock n Roll, especially two rockabilly cats that would tour England quite a bit in those early years, Eddie Cochran and Gene Vincent (Vincent seen below with Paul and John in matching leather gear). As the story goes of that first meeting, McCartney impressed Lennon with Cochran's Twenty-Flight Rock and Lennon played Vincent's Be-Bop-A-Lula for the first time on stage. McCartney soon joined Lennon's band and history followed with Hamburg, The Cavern, world tours, Sgt. Pepper's, Abbey Road, and beyond.

Although the movie A Hard Days Night created an on-screen persona of McCartney as the cute, crooning Beatle, history shows that McCartney and Lennon belted out rockers and ballads equally. McCartney's musical background did broaden his pallet to include jazz and showtune-style songs, which Lennon called Paul's "granny music". And although Lennon embraced avant-garde projects in the later 1960s, it is not as well-known that McCartney was a cultural trailblazer for the group in the mid-1960s. While his bandmates moved out to the suburbs, McCartney stayed in Swinging London to feed his appetite for new avenues of creativity. See below for more on experimental projects. Here is a sample of one of my favorite McCartney pop tracks from the London days, Paperback Writer, which is fueled by his infectious Epiphone guitar groove.
While juggling the busy Beatles schedule, McCartney was a man about town, soaking up inspiration from all corners of the arts. He helped Barry Miles start the underground London paper, International Times, and they attended happenings at the Roundhouse with performances by Beat Poets and The Pink Floyd. McCartney began to attend film screenings and to make his own experimental films (his footage was later stolen). He also became fascinated with John Cage and the creation of tape loops and sound collages, which he called "electronic symphonies." He facilitated Lennon's contribution of his hand-written lyrics to The Word, Yoko Ono's book of graphic scores for John Cage. And McCartney helped to renovate and set up the Indica Gallery (Miles and McCartney shown below at Indica), where Lennon later met Yoko Ono. Moving with the in-crowd in Swinging London, it would prove to be one of the most creatively fertile periods for both McCartney and The Beatles.
McCartney's passion for experimentation fed back into a number of Beatles projects, including the seagull-sounding tape loops on Tomorrow Never Knows, The Sgt. Pepper's concept album, the formation of an Apple subsidiary label devoted to poetry (including William S Burroughs) and experimental music, and the Magical Mystery Tour film. McCartney later teamed with Sgt. Pepper's cover artist Peter Blake, Super Furry Animals, and others on an interesting album called Liverpool Sound Collage (2000). Here's is the track Temporary Secretary from McCartney II (1980). With its manic vocals and early use of synthesizer, Rolling Stone has called it a "cult classic."
Paul McCartney has continued to explore mainstream and experimental projects each year since The Beatles disbanded in 1970. In the last twenty years, he has released many classical music compositions, new electronic experiments, an anthology of poetry (including a memorial to childhood pal, Ivan), and he exhibited a large body of work as a painter. How does he manage it? If lifestyle is any clue to his output: jogging, family, laughter, music, and being meat-free seem to be the top of the list. Spy Vibers will, of course, celebrate McCartney's addition to the world of James Bond with his theme to Live and Let Die. Others may also applaud him for his Swinging London style. It all comes back, however, to his deepest roots- music. That kid playing guitar in the photo above is still driven by a love of performing. Spy Vibers can see for themselves during his on-going tours. He is slated to play the last Candlestick show before the stadium is dismantled (The Beatles played their final gig there in 1966). Happy Birthday, Paul. Many Happy Returns from Jason at Spy Vibe.
Photos from Getty Images, Richard Avedon, Mike McCartney, and press archives. If you are interested in seeing more of Paul McCartney's experimental work, here are some favorite essentials:
Albums
Albums
McCartney II (1980)
Working Classical (1999)
Working Classical (1999)
Run Devil Run (1999)
Strawberries Oceans Ships Forest (1993)
Rushes (1998)
Liverpool Sound Collage (2000)
Twin Freaks (2005)
Electronic Arguments (2008)
Electronic Arguments (2008)
Ballad of the Skeletons (Allen Ginsberg/1996)
Hiroshima Sky is Always Blue (unreleased/w Yoko Ono/1995)
Good Evening New York City (2009)
Kisses on the Bottom (2012)
Movies
Beatles Anthology (1995)
Live At the Cavern Club (2001)
Wingspan (2001)
The Real Buddy Holly Story (2004)
My Old Friend (1998)
Paul McCartney Live in Red Square (2005)
Magical Mystery Tour (1967)
Music and Animation Collection (2004)
Live Kisses (2012)
Books
The Unknown Paul McCartney (2002)
Many Years From Now (1998)
The Complete Beatles Chronicle (2010)
Paul McCartney Paintings (2000)
Blackbird Singing: Poems and Lyrics 1965-1999 (2001)
Blackbird Singing: Poems and Lyrics 1965-1999 (2001)
The British Invasion (2009)
Recent Spy Vibe posts: Richard Sala: Super-Enigmatix, The Spotnicks, Gerry Anderson Models, Model Spy Gear, Model Secret Agents, Remo Williams Blu-ray, Bunny Yeager and Ursula Andress, Danger Mouse, Lost Avengers Episodes, Big Fun Toys, Danger Diabolik Soundtrack, Bruno Nicolai CD, Mother's Day (Avengers), Mod Fashion Dolls, Wild Wild West Blu-ray, Cold War Archie, New Avengers Comic, Ipcress File Blu-ray, Honor Blackman Tour, Playboy Bunny Interview, The 10th Victim Japanese and Kindle, U.N.C.L.E. Japanese Books, The 10th Victim German Edition, UNCLE Gun, The Saint books return, Spy exhibit at the Pacific Science Center, Trina Robbins Interview, Catsuits, Batman '66 Green Hornet Interview: Ralph Garman Ty Templeton.
Subscribe to:
Posts (Atom)




